The stunts
and visual gags that Keaton employed in his film making for "Sherlock
Dr." was pure genius and absolute beauty. There were two
scenes that were so unpredictable and crazy that I could not help but laugh
that the profound quality of the classic humor. One scene being when Keaton’s
character leaping down from atop the building by grabbing onto a train traffic
barrier and swinging down on it nonchalantly into the backseat of the
antagonist’s vehicle without the driver even noticing. There is first of all
something to be said about the pure creativity behind Keaton’s way of thinking
with this stunt and then the execution is truly beyond me. Speaking of Keaton’s
creativity, there is certainly something to say about his incredible escape
from the Sheikh's “safe house” through the window. An odd circular object with a
fabric of some sort inside was placed on the window frame so that when Keaton
made a run for it and jumped through the window, the fabric instantly disguised
him as some random street-walking stranger. It was completely unexpected and
the stunt awed me with instant surprise. I believe that it’s needless to say
that Keaton’s gags and stunts were entirely effective in every manner. In
relation to contemporary comedy, Keaton’s works in stunts and gags match the
clean innocent humor and good old fashion hilarity.
The self-reflexive nature of Keaton’s work if
tough to determine and yet it was still very real and prevalent. The only
stand-out scene of Keaton’s self-reflexive technique was when he came out of
himself into the dream when he fell asleep in the projection room. For me, the
technique was too vague so it did not carry strong effectiveness with me.
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